![]() The border doesn’t work for the shot, so I’ll remove that by shutting off the overlays panel. The preset also intensified some of the textural qualities in the clothing, which I like.Īgain, I’m one of those people who wants absolute control over my photos, so I always make customizations to dial the look in. I think it works great for this shoot because it adds a bit of distinction to the face of the model. This preset produces a look that enhances skin details. Sometimes presets work perfectly right out of the box, but I always plan to make some tweaks. The film was known to shoot tack-sharp and had such low grain that it’s hardly noticeable, which are a couple of attributes that I love about it. Let’s start the transformation of the image with one of my favorite presets for a punchy, high contrast B&W look: Polaroid 55. I do this because I don’t want to make any adjustments to the look of the image by accident before I start making tweaks. The first thing I do in Exposure is press the Reset button in the lower right (or Command+R) to zero out any previously used effects. Capture One runs through the action’s steps and opens the photo in Exposure X. Within Capture One, I’ll click the Process button in the Process Recipes panel. I think a look like that will work great with this image. Black and white shots let the viewer see the subject’s face and read their eyes without distraction. I want the final look of this photo to be a high-contrast black and white image reminiscent of Polaroid instant film. Let’s get right to the good stuff and take the shot into Exposure for some photo finishing magic. ![]() And what’s better is that Capture One is non-destructive, so you can always revert back to your original photo. Another big plus is the ability to see your images on a much larger screen than the one on the back of the camera. Tethered shooting allows me to quickly set a few specifics such as white balance, highlight/shadow recovery, and exposure adjustments on the fly. I just finished a recent model shoot with David McLaughlin from Aqua Model Management in NYC. This allows me to take full advantage of Exposure’s superior color toning for my photo finishing work.īelow is a simple screenshot of what Capture One looks like on my computer during post production. Luckily, export presets in Capture One automatically connect my tethered shooting with Exposure. For me, Capture One’s tethered shooting and Exposure’s processing are both necessities. I am part of the tech-savvy commercial photographer crowd, so I use Capture One in my workflow. For the most part, you’re not making money if you’re not shooting, so anything that speeds up your editing workflow essentially puts cash in your pocket. Doing so can be as easy as applying photo effects from creative software like Exposure X during post processing. Help your work stand out in today’s overcrowded photography market by learning and implementing new photo finishing techniques. Fast Photo Finishing for Tethered Shooters
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